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Carrie Blast Furnaces

Reawakening

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By Ron Baraff, Director of Historic Resources and Facilities   |   Image of the Carrie Blast Furnaces

Ronald BaraffCelebrating Our Industrial Heritage

Time has taken its toll on sites such as the Carrie Blast Furnaces and the W. A. Young and Sons Machine Shop, but it has not dimmed the visceral impact that it they have on the region. What were once integral parts of a roaring complex web of industry that fueled and fired the twentieth century now remain in silent homage to Western Pennsylvania’s industrial past and its enduring legacy.

Many folks in our region have said, “We’re not a Steel City anymore. We’ve cleaned up. We’ve transformed.” But the past cannot—and should not—be denied. The lessons of the industrial age should not be pushed aside and forgotten. They should be celebrated and respected. This is our past, our heritage.

The image of the region rising from the ashes of postindustrialism has fueled many essays and travelogues, and rightfully so. Steel and heavy industry moved this region forward. To this end, these treasured industrial heritage sites stand not only for the glorious past, but also for the future of the region. They are the first-day attractions we have all have been clamoring for, and are the palette on which we can paint our past, and celebrate our future. It is on their grounds that we can tell the story of industry and the hard, dangerous work that was part of the daily life for generations of men and women.

A crowd gathers around a tour guide with a hard hat on.

Their story is quintessentially American, the drive for the American Dream, a better life. Upon these palettes, we can tell the story of the “great” Industrialists, like Andrew Carnegie and Henry Frick, and their dominance on the late-nineteenth and first half of the twentieth centuries and those of the individual entrepreneurs—the small shop owners who worked hard to meet the needs of a rapidly changing society. We can tell the story of the rise of labor unions and how during the second half of the twentieth century their efforts and drive for a share the nation’s rich economic pie helped to shape the post-war landscape of this country. It is at these rich sites that we can explore the multitude of reasons that brought about the fall of manufacturing in this region during the late-twentieth century, and how the landscape of the region was forever transformed not just physically, but also emotionally by the massive layoffs that took place and the hundreds of thousand lives that were affected.

Tour guide demonstrates how machine works

At these sites we can investigate the impact that manufacturing had on this region’s ecology; how alluvial plains, rich forests, and rivers and streams were decimated by industry and how the efforts of the people in this region to clean up the mess that man wrought had a vast and positive effect on our quality of life, all the while helping to hasten our industrial decline. It is at these sites that we can think outside the box of industry. We can invite culture and ingenuity to come together and dream of new and exciting ways to redevelop former industrial sites with cultural events and heritage tourism. The list is endless, as are the aspirations and greatness of this region. All of these qualities are embodied within the physical and emotional contexts that allow our treasured industrial heritage sites to stand as testament to mankind’s accomplishments, past, present, and future.

fireworks over the furnace

Guide to Images

Featured Image: Carrie Blast Furnaces

Image 1: Tour Guide Keith Clouse leads a group on an Industrial Tour of the Carrie Blast Furnaces, 2018

Image 2: W.A. Young & Sons Foundry and Machine Shop, 2019 Hammer-In Festival

Image 3: Fireworks over Carrie, 2019 Festival of Combustion

Artwork by Jarrod Russell

Artist Profile: Jarrod Russell

By Blog

Rivers of Steel Arts is excited to launch the 2020 Mon Valley Featured Artist Series. Showcasing some of the exciting creative professionals working across the Mon Valley Creative Corridor, this weekly blog highlights multiple artists each month—from a variety of boroughs—to provide a snapshot of the region’s growing cultural vitality.

About Jarrod Russell

This weekly series was launched with the desire to not only showcase the many talented creative professionals familiar to Rivers of Steel, but also with a hope that our project might also introduce us to new artists who call the Mon valley home. Our first artist feature for the month of May, 2020 does just that, by traveling upriver to the Mon Valley community of Belle Vernon, Pennsylvania for a look at tattoo artist and pop-surrealist painter Jarrod Russell.

A Message from Jarrod

About My Work

I currently work at Black Star Tattoo in Belle Vernon, PA. I was born in 1971 in the Mon Valley, and grew up in Charleroi, PA.  I graduated from the Art Institute of Pittsburgh in 1992 and began tattooing in 1993 before opening up Black Star Tattoo in 2006.

I’ve always been interested in painting, but took a more serious interest in the medium around 2003.  Through my artwork, I try to show a youthful sense of adventure, and on occasion include some social and political opinions based on personal experiences.  At some point, the lower jaws were removed from my characters, taking away their ability to speak. It felt like an opportunity for the observer to make his or her own story from my painting.

My Home in the Mon Valley

Although I now live in Lawrenceville, I still work and will always be connected to the Mon Valley.  I grew up in a once-thriving town, and seeing its decline and struggle to rise up has been disheartening. That being said, I feel there is a growing positive momentum throughout the Mon Valley demonstrated by many people moving forward and up in their community. This experience has affected me as an artist, and continues to influence the content of my artwork.

The people of the Valley have always been supportive of our business at Black Star Tattoo, and it goes without saying, thank you all.

Find Me Online

You can check out my work as a tattoo artist on Instagram or at the shop Black Star Tattoo, in Belle Vernon, PA.

Facebook: Jarrod Russell Art

Instagram: Lessurdorraj

Instagram: Black Star Tattoo

Giving Tuesday Logos

Giving Tuesday Gratitude

By Blog

By August Carlino, President and Chief Executive Officer

August R. CarlinoAn Extraordinary Day of Giving

 

Dear Friends of Rivers of Steel,

The hardworking spirit of the people of southwestern Pennsylvania is legendary—and as I have said before it is only matched by their generosity toward one another. When times are hard, we lean on one another, so our resiliency is not surprising. However, the level of support that we received yesterday is truly extraordinary.

It is with much gratitude that I am happy to share that we exceeded our $10,000 giving goal yesterday, while surpassing amounts raised during previous days of giving. While these funds will help us bridge the gap caused by the pandemic, they represent so much more. They are a testament from our community that Rivers of Steel’s work is valued. They demonstrate that collectively our community, board of directors, and staff are invested in the success of our programs and initiatives.

I’m also happy to share the news that because of your generosity, I will be personally donating $1,000 to the Greater Pittsburgh Community Food Bank in the name of Rivers of Steel. Thank you for that too. While it lightens my pockets, it also fills my heart to be able to give back to those with the greatest need.

Sincere thanks to you all,

Augie Carlino
President and Chief Executive Officer,
Rivers of Steel

Detail Richard Hass Steel Town Mural on Byham Theater

Exploring the Rivers of Steel National Heritage Area

By Blog

By Brianna Horan, Manager of Tourism & Visitor Experience

Brianna HoranRoutes to Roots!

You might be a Pittsburgher, a Monacan, a Vandergrifter, a Farmingtonian, or a Rices Landing resident. But if you live in the southwestern corner of Pennsylvania, you can also feel proud that you’re from the Rivers of Steel National Heritage Area.

A National Heritage Area is designated by Congress as a place of significance to America where natural, cultural, and historic resources highlight an important period of history in the development of the United States. The Rivers of Steel National Heritage Area draws its strength from the region’s industrial history, the landscape that fueled it, and the hardworking men and women who made it possible. The eight counties—and the hundreds of cities, small towns and main streets within them—that form the heritage area are linked not only by their river valleys, but by their shared cultural and industrial heritage through five journeys that each reveal an element of the region’s legacy as the Steel Capital of the World for more than a century.

The historical sites, cultural attractions, family-owned restaurants, mom-and-pop shops, and natural beauty that tell the story of these journeys also combine to make a fantastic travel itinerary filled with meaningful and memorable experiences. That’s why heritage tourism is a key component of Rivers of Steel’s mission. Defined by the National Trust for Historic Preservation as “traveling to experience the places, artifacts, and activities that authentically represent the stories and people of the past and present,” heritage tourism immerses travelers into the roots of culture and shows them how the past lives on in modern ways.

In celebration of National Travel and Tourism Week, below is a description of each of the journeys in the Rivers of Steel National Heritage Area—along with a few sites in each that resonate with the themes of Big Steel’s industrial and cultural heritage. Much of this information is sourced from Routes to Roots, a driving guide published by Rivers of Steel that is available in the Bost Building’s gift shop.

To protect yourself and others and to reduce the spread of COVID-19, it is important to limit your travel to essential activities only during this time. Additionally, many businesses and sites are closed because of the pandemic. Please enjoy the sites below as an armchair traveler for now—they all tap historical topics that make for great reading until it’s safe and permissible to travel again. Don’t forget to bookmark this page for your list of “Things to Do When Quarantine is Over!”

The Big Steel Journey | Allegheny County

The Big Steel Journey recaptures the dynamic era when the city’s steel empire was the backbone of the nation’s industrial economy, building the modern world. Thousands of immigrants were drawn to the promise of jobs, and they would go on to produce millions of tons of steel that built the Empire State Building, the Bay Bridge, the St. Louis Arch, and the battleships and tanks that won two World Wars. The industrial core was the Monongahela River’s Steel Valley, where U.S. Steel’s massive mills and furnaces dominated both sides of the river for more than ten miles, and 18 contiguous communities on the lower Mon.

The industrial power and astonishing work ethic drew awe and respect from visitors as long ago as 1868 —five years before Andrew Carnegie started construction on his first mill, when James Parton wrote a 13,000-word travelogue of his visit to “Pittsburg” (we’d been separated from our “H” at the time) for The Atlantic. He was quite taken with the city, starting off the article, “In other towns the traveler can make up his list of lions, do them in a few hours, and go away satisfied; but here all is curious or wonderful, — site, environs, history, geology, business, aspect, atmosphere, customs, everything. Pittsburg is a place to read up for, to unpack your trunk and settle down at, to make excursions from, and to study as you would study a group of sciences. To know Pittsburg thoroughly is a liberal education in “the kind of culture demanded by modern-times.” It’s hard to believe that this is the same article that earned the city the moniker of “hell with the lid taken off,” but in reality he was describing the view from the Hill District overlooking the smoky, fiery, bellowing nighttime skies of the Strip District as “a spectacle as striking as Niagara.”

There are a number of Rivers of Steel sites in Allegheny County that tell the story of Big Steel and the men, women and communities that fueled it. We’d love to welcome you at all of them! Here are a few more ways to connect with the Big Steel Journey:

  • Joe Magarac statue as it appeared at KennywoodFlex your muscles in front of the 15-foot-tall statue of Joe Magarac bending a rod of steel in front of U.S. Steel’s Edgar Thompson Works in Braddock. Magarac is a legend of the steel industry akin to Paul Bunyan, symbolizing the impossibly hardworking mill workers. If you visited Kennywood Park before 2009, you might remember seeing this statue there. The mill behind it is also a site to be seen—the only remaining integrated steel mill the state, Edgar Thompson, a.k.a E.T., was Andrew Carnegie’s first mill, and has been active since 1875. Want more Magarac? Iron Eden, a Pittsburgh blacksmithing studio known for ornamental ironwork, operates a gallery and gathering space bearing his name. MAGARAC has an industrial vibe and is furnished and decorated with Iron Eden’s Magarac line of ironwork; the gallery is open by appointment.
  • The Energy Innovation Center (EIC) isn’t too far from Cliff Street, the spot that The Atlantic article suggested for views of “hell with the lid taken off.” (Cliff Street is just a block behind the August Wilson House). The EIC is housed in the former Connelley Trade School, which was built in 1930 in The Hill District because its altitude put it above much of the air pollution that clogged the city, and because it was well connected to other areas by trolley and Union Station. Once a place where students learned bricklaying, plastering, plumbing, auto mechanics, electrical wiring, carpentry, cabinetry, and more—today it has been reborn as a LEED Platinum certified National Historic Landmark that is a “living laboratory” for industry-informed education and training programs, housing STEM industry leaders and offering job readiness training. For a similar feel with a rooftop bar, check out the new TRYP in Lawrenceville, a boutique hotel in the historic former Washington Education Center, where men learned bricklaying, woodworking, drafting and metal work. Elements of the original structure are at the core of the building’s design, and Over Eden restaurant and bar on the rooftop has incredible skyline views of Downtown while overlooking former steel sites like Bay 41 at the Foundry and the National Robotics Engineering Center.
  • If you’re speeding past on Fort Duquesne Blvd., you might not have noticed that the mural painted on the side of the Byham Theater downtown depicts scenes from the region’s history as a Steel Town. The Pittsburgh Cultural Trust selected renowned American muralist Richard Haas to create the Trompe l’oeil mural in 1993. Take a walk downtown to get a good look.
  • The McKeesport Regional History & Heritage Center celebrates its 40th anniversary this year. The Center houses the City of McKeesport’s first schoolhouse, built in 1832, and has displays featuring McKeesport and the Mon Valley’s history, including an Industry Wing with a large-scale model of the U.S. Steel National Tube, church collections, and an exhibit honoring Helen Richey, the first licensed female commercial pilot who helped to create an airmail system.
  • George Westinghouse was an engineer who received 360 patents for his work, founded 60 companies, and invented things like the railway air brake, nuclear reactors, and alternating current. Residents of Chalfont are familiar with the Westinghouse Atom Smasher, looking like a large, upside-down silver lightbulb. The world’s first industrial Van de Graaf generator was created by Westinghouse Labs in 1937 (after Westinghouse’s 1914 death), and while the lab is no longer there, the atom smasher is resting on its side in an overgrown parking lot on Service Rd. No. 1, across the street from Tugboat’s Restaurant and Bar at 105 West St., East Pittsburgh, PA 15112. You might also want to take a stroll in Westinghouse Park in Point Breeze, built on the land where Westinghouse’s estate and home laboratory once stood. It’s thought that his underground labs may still be intact!

Thunder of Protest | Beaver County

Southwestern Pennsylvania’s people are known for strong values and deeply held beliefs—something that is evident in more than 200 years of history along the Ohio and Beaver Rivers where the communities have shown a willingness to take a stand. For hundreds of years, the Ohio-Beaver riverfronts were a Native American trading area. The region’s first century of European settlement was strongly influenced by the Harmony Society, German Protestant religious dissidents who were also successful industrial entrepreneurs. Their industrial pursuits included some of southwestern Pennsylvania’s earliest iron foundries and rolling mills. Due in large part to the Harmonists’ early ventures, iron production prompted the growth of a string of towns along the Beaver River. A sect of the Harmonists broke away in the 1800s, disagreeing with lifelong commitment to celibacy that was part of the societies’ practices, to build towns on the other side of the Ohio River.

The second century of the area’s development were shaped by iron and steel. The town of Ambridge, started by the American Bridge Company, was built on property purchased from the Harmonists. Across the river, the Jones & Laughlin Steel Company (J&L) built southwestern Pennsylvania’s largest basic steel mill complex, the Aliquippa Works, in 1900. Thousands of immigrants from eastern and southern Europe, along with African Americans from the south, flocked to the area to work in these new mills. The Ohio-Beaver area soon became divided between the management who lived in fine homes in Beaver, far away from the cramped milltown workers’ quarters. Fearing labor unrest and trying to keep production high and costs low, J&L kept tight control over its facilities and workforce. In Aliquippa, J&L required workers to live in company-built neighborhoods segregated by ethnicity, with round-the-clock surveillance by company police and strictly enforced curfews. Things came to a head in 1937 in an uprising that challenged J&L’s policies, resulting in the 1937 Little Steel Strike.

  • View of Old Economy VillageOld Economy Village tells the story of the Harmony Society, one of the oldest and most successful religious communal groups of the 19th They sought to create a utopia inhabited by German Lutheran separatists who subscribed to the mystical religious teachings of their leader George Rapp (1757 – 1847). They created a self-sustaining village with agriculture, blacksmithing, tanning, cabinetmakers, and textile mills powered by steam engines. Their Economy was successful, and they sold their products throughout the world. Ultimately their belief in celibacy spelled out the end of the society by 1905. Old Economy Village features 17 authentic Harmonist buildings, gardens, streets and artifacts on six serene acres in Ambridge.
  • Built in 1910 to create an entrance to the J&L Steel Company’s Aliquippa Works beneath the Pittsburgh & Lake Erie Railroad tracks, the Tunnel was the way that the mill’s 15,000 workers came to work every day. In May of 1937, shortly after the U.S. Supreme Court ruled that employers must bargain in good faith with union representatives, talks between the Steel Workers’ Organizing Committee (SWOC) and J&L were getting nowhere. When the union voted to strike on May 12, the Tunnel became the staging ground for thousands of workers leading up to the 11 p.m. shift change. As May 13 dawned, only a few hundred workers remained in the mill, and the possibility of serious violence was imminent. The next day, Gov. George Earle arrived to tour the Works, and then urged the parties to negotiate a peaceful settlement. Later that day, J&L agreed to recognize union elections, and a new contract was signed. Today the Tunnel still stands as the entry to the Aliquippa Industrial Park, with a Workers’ Shrine To get there, follow Franklin Ave. underneath Constitution Blvd. until it becomes Station Street. After your visit, take a drive through one of the housing plans to see the scale of J&L’s company control.
  • Nearby to the Tunnel is the B.F. Jones Memorial Library, built in 1929 by Elisabeth Horne to honor her father, Benjamin Franklin Jones, Sr., co-founder of Jones & Laughlin Steel. Elisabeth saw it as an opportunity to serve the educational and cultural needs of the white-collar managers and immigrant laborers who settled in Aliquippa. The ornate 15,000-sq. ft. facility was designed in a restrained Italian-Renaissance style.
  • Edward Dempster Merrick made his money as an industrialist at his family’s Standard Horse Nail Company, but his passion for art would define his life and legacy. He wasn’t permitted to pursue art as a child, but as Merrick approached his 50th birthday he began buying paintings, particularly those of the Hudson River School, and painting his own works. In 1880, he founded the Merrick Free Art Gallery and Public Library. He became an eccentric collector and creator, and his gallery is still open to the public in New Brighton. Down the street, the Merrick family’s Standard Horse Nail Company still stands in a building dating from the mid-1880s, as well – these days they make precision parts.

Mosaic of Industry | Allegheny, Armstrong, Butler, and Westmoreland Counties

The variety of industrial work is matched by the diverse cultural heritage of the region. During the 18th century, early European fur trappers and explorers encountered Seneca and Delaware villages along the Allegheny River from Kittanning southward as Scots-Irish, German, and English settlers began to stake out farmsteads. After the Revolutionary War, the pace of European settlement quickened. Originally agricultural, the area soon began to attract workers for its burgeoning industries—especially after the opening of the Pennsylvania Canal and the rise of “Big Steel” in the region. By the late 19th century, the Alle-Kiski area was home to many eastern Europeans, as well as Italians and African-Americans. German settlers settled in Butler’s Harmony village, in what was a precursor to the Economy settlement in Ambridge. Today, the cooking traditions, sacred spaces, dances, and music create a rich tapestry of cultural experience for visitors.

  • At the Rachel Carson Homestead in Springdale, visitors can tour Carson’s childhood home, where she could see the Allegheny River from her window while heavy industry came into its own all around her. A graduate of the Pennsylvania College for Women (now Chatham University), Rachel Carson’s work and writing created the modern environmentalist movement and led to the outlawing of DDT pesticides. Her modest childhood home in Springdale was just downriver from a DDT manufacturing plant.
  • At the Tour-Ed Mine & Museum in Tarentum, visitors ride in trams through the former Avenue Mine that formerly served as a source of raw materials for Allegheny Ludlum Steel. In 1964, the Wood Coal Company took over operations, and for the next six years it supplied coal to local businesses like Tarentum Power and PPG. In 1970, operations changed when owner Ira Wood decided to use the mine to preserve the culture, the tools—the life—of the men who once worked there. Former miners are the tour’s docents, who talk about the coal industry, the mining process, and the workers’ culture.
  • Timing is everything. That was certainly the case for the builders of Mount Saint Peter Roman Catholic Church in New Kensington. In 1941 as the grand Richard Beatty Mellon Mansion in Pittsburgh was being demolished, Mt. St. Peter was being constructed. A longtime Mellon employee and friend to the Kew Kensington Italian Community saw the opportunity to reuse the Mellon’s finery in the new church. The parish’s Italian congregants mostly worked in the nearby Alcoa plant, but in their native land they had been stonemasons, carpenters, and metalsmiths. They set out to transform the Mellon mansion’s porch banister into the communion rail, a chandelier was reconfigured into the baptismal front, and former library doors now surround the confessionals. Antonio Muto spent more than six months on his knees, cutting and piecing together marble to form an intricate pattern on the basement floor. There is even a red Verona marble pulpit that was commissioned by Andrew Carnegie, along with a 19th century painting, Behold the Lamb of God, that once hung in the Vatican and then in the original Heinz Chapel on the North Side.
  • Great strength can be found at the Saxonburg Museum, which includes the Roebling Workshop. Saxonburg was founded by John Roebling, a German immigrant who invented wire cables in this workshop. He went on to design the Brooklyn Bridge, putting his suspension cables to good use. There’s a small replica of the Brooklyn Bridge onsite! In addition to a history of the Roeblings, the Saxonburg Museum features exhibits on communications, blacksmithing, a general store, and laundry practices.

Saxonburg MuseumBrooklyn Bridge Diagram

  • Before Economy, there was Harmony. This small Butler County town was founded in 1804 by 90 families who followed religious leader George Rapp away from the official Lutheran Church and out of Germany. Learn more about their way of life – in addition to 250 years of history – at the Harmony Museum.

Whereas some parts of the Rivers of Steel National Heritage Area were dominated by one industry, such as steel or coal, the Mosaic of Industry Journey boasts an array of businesses and crafts that were connected to or influenced by steel. Aluminum, plate glass, refractory brick making, foundries, limestone quarries – all flourished here. Salt extraction methods developed here led to the first oil drilling. And, of course, there were steel mills and coal mines as well. Many of the companies with large-scale plants in the area, such as Alcoa (formerly Aluminum Company of America) and PPG Industries (formerly Pittsburgh Plate Glass) are household names throughout the United States.

Mountains of Fire | Westmoreland and Fayette County

For most of a century, hundreds of beehive ovens burned day and night across the hills and valleys of Fayette and Westmoreland Counties. Today the landscape charms with green rolling hills, but at one time this is where coal was transformed into coke, the fuel for steelmaking. These “Mountains of Fire” produced millions of tons of the highest quality coke to power the steel mills throughout the Pittsburgh industrial district, and coal mining and coke production came to define and dominate this part of the region. It reshaped and expanded older farming communities like Uniontown. It created scores of company-built patch settlements like Morewood, Leisenring, Bessemer, and Indian Head. It also spurred the growth of other industries, such as glassmaking and railroads. Henry Clay Frick rose from this region as the coke king, going on to become the partner of Andrew Carnegie in the Carnegie Steel Company.

  • The Westmoreland Museum of American Art overlooks the city of Greensburg’s main street. Two of the museum’s regional collections, Southwestern Pennsylvania Landscapes and Valley of Work: Scenes of Industry vividly portray the evolution of this region’s landscape from rural farmland to a nighty industrial concept. The stunning “before and after” view of the region draws a stark contrast.
  • The Saint Vincent Grist Mill and General Store are cornerstones of Saint Vincent College. Visitors can watch the gristmill in action and purchase bags of Saint Vincent’s own whole wheat flour, made by the 185 monks who live at the Saint Vincent Archabbey—the first Benedictine order in the United States. When the three-story mill was built in 1854, it was originally powered by a coal furnace, stoked by the monks who mined their own coal. Electrification came in 1952, and in the early 1990s the Monastery Run Project effectively treated the abandoned mine drainage that followed the decline of the local mining industry.
  • Meaning is everywhere at The Ruins Project in Perryopolis, where mosaicist Rachel Sager tells forgotten stories with raw materials. An outdoor experience close to the banks of the Youghiogheny River and the Great Allegheny Passage bike trail, a masterpiece of mosaic art has come to life on the walls of an abandoned coal mine banning, representing the rebirth of abandoned American coal country into a spiritual and artistic pilgrimage and destination for adventure seekers and lovers of art and history.
  • Debut of Little Giant Mosaic at the Ruins ProjectThe rural setting of West Overton Village & Museums was the birthplace of Old Overholt Whiskey and Henry Clay Frick. With eighteen original buildings, West Overton is a charming pre-Civil War village. With distillery tours and tastings, homestead tours, and demonstrations of the backbreaking work that made this village self-sufficient, a visit to West Overton is a visit to the past. Frick was always looking towards the future, however. As he grew older, his grandfather paid him to keep the books for the distillery. Recognizing that the region was rich in bituminous coal deposits, Frick formed his own company and began buying land, building coke ovens, and making a lot of money. By his early 30s he was a millionaire living in Pittsburgh with his bride, Adelaide Howard Childs, at Clayton. His H.C. Frick Coke Company became the largest producer in the world, and Frick became the business partner—and then enemy—of Andrew Carnegie.
  • At the Coal and Coke Heritage Center at Penn State’s Fayette Campus in Uniontown, the soul of the coal patches and is on display in the displays of artifacts, tools, gear, home goods, and oral histories of miners and their families. In Farmington, the well-preserved, limestone Wharton Furnace stands tall as an example of the iron-smelting furnaces that dotted the early 19th-century landscape in southwestern Pennsylvania. This one was used from 1839 – 1873. And near a lake in Mt. Pleasant’s Mammoth Park, visitors can explore a row of preserved beehive ovens and two narrow-gauge “larry” cars.

Fueling a Revolution | Greene and Washington Counties

Once hailed as the “hardest working river in the world,” the Monongahela runs north from its origins in West Virginia into the Pittsburgh region. For more than a century, the Mon has carried millions of tons of high-quality bituminous coal to power southwestern Pennsylvania’s steel mills and electrical generation plants—the fuel for America’s Industrial Revolution. Along the way, the river offers breathtaking views and enjoyable pastimes like fishing and boating, and the fleets of barges that still ply its waters today speak to the river’s long history as the steel era’s most vital industrial artery.

Early in the 20th century, as by-product coke production replaced the older beehive method, the Mon became indispensable for transporting raw coal from the mines to the processing plants. The river’s system of locks and dams was built to facilitate the transportation of coal, and the coal companies’ riverside barge loading facilities, as well as river-related industries such as barge building and repair, provided employment for many.

  • The Donora Smog Museum is operated by the town’s historical society, and it maintains permanent exhibits related to the founding of the town, town life, steel mills, and the 1948 smog tragedy. In 1948, two large plants dominated Donora—the U.S. Steel Donora Zinc Works and the American Steel & Wire plant. Just before Halloween of 1948, a dense haze blanketed the town that wouldn’t blow away. A temperature inversion in the valley trapped the noxious emissions from the two plants, and soon residents began to fall ill. Five days later a rainstorm helped to clear out the smog, but not before roughly half of the town’s population of 14,000 became sick and 20 had died. Fifty more people died soon after the smog lifted. While in town, take a drive around Cement City, a company town built by Union Steel Company in 1916 to create housing for workers. A building concept that was the notion of inventor Thomas A. Edison, 80 homes were completed overlooking the mill. Rent ranged from $22.50 to $40. Drive around Walnut, Modisette, Ida, Bertha and Helen Streets in Donora.
  • The Flatiron Heritage Center in Brownsville stands in a building that over the years has housed ethnic banks, taxi services, a trolley stop, and a number of different tailors, as well as the original Brownsville library and post office. In the Flatiron Building’s first floor, visitors learn from exhibits about Brownsville’s colonial past, sitting at the western point of Nemacolin’s Trail, which went on to become the National Road. Brownsville’s role in river travel and commerce includes the production and launch of the nation’s first steamboat, the Enterprise, in 1814. In terms of its industrial legacy, the coal and coke mined in Fayette County passed through Brownsville on its way to feed the steel mills in Pittsburgh. These stories are told through artifacts, maps, photos, models, and paintings. On the second floor is a gallery dedicated to local artist Frank L. Melega. He got his start creating signs for Brownsville businesses.
  • When Rices Landing Riverfront was incorporated as a borough in 1903, its streets were lined with shops, taverns, and trading posts. Its abundant natural resources—clay, sand, coal and lumber—helped local businesses prosper. Its proximity to the Monongahela River made it an ideal industrial and transportation hub. More than 100 years later, the stores, coal mines, and lock and dam that once defines this community are gone, but a strong connection to the river and the land remains. One piece of that history remains on a bank above the Monongahela River: Rivers of Steel’s W.A. Young & Son’s Foundry and Machine Shop. Built in 1900, the shop produced parts for steamboats, coal mines, railroads, and local businesses. In 1908, the shop expanded to include the foundry, and twenty years later electricity was added. Very little has changed since the doors closed in 1965—calendars, invoices, tools, patterns are still in place. But the place comes to life when the series of line shaft driven tools are powered up and local blacksmiths fire up the foundry.
  • Step back to the dawn of the Electric Age when in 1918 the Pittsburgh Railways Company operated some 2,000 trolley cars, 65 different lines, and 600 miles of track. At the Pennsylvania Trolley Museum in Washington, the nostalgia and history of those days are alive and well. Visitors can step aboard and see the restoration in progress of more nearly 50 cars, interact with hands-on STEM exhibits, and even take a roundtrip ride on a vintage trolley.
  • PA Trolley Museum Trolley Car and StationBefore this region was known for steel, it was known for glass—and by 1920, 80% of the glass made in the U.S. was produced in the Pittsburgh area. Access to the rivers, abundant raw materials and coal supplies for fuel allowed the region to find huge success in the market west of the Appalachian Mountains. One renowned glassmaking company was Duncan and Miller Glass, whose roots can be traced to 1865 producing clear, colored, and patterned decorative glassware. Collectors of the company’s products can be found across the globe, and a large display of gorgeous sugar bowls, creamers, salt and pepper shakers, ash trays, shot glasses, plates, and vases are on display at the Duncan and Miller Glass Museum, which recently re-opened in a larger and updated space in Washington.

Guide to Images

  • Detail Richard Hass Steel Town Mural on Byham Theater, Downtown Pittsburgh
  • Joe Magarac statue as it appeared at Kennywood, Pre-2009, West Mifflin, PA
  • Old Economy Village, Ambridge, PA
  • Saxonburg Museum and Roebling Workshop, Saxonburg, PA
  • John Roebling diagram for the Brooklyn Bridge
  • Debut of the Little Giant Mosaic at the Ruins Project, Perryopolis, PA, June 2019
  • Pennsylvania Trolley Museum, Washington, PA
tour group poses for photo with point state park in the backgroun

The Spirit of Travel

By Blog

By Brianna Horan, Manager of Tourism & Visitor Experience    |    Image: Group Tour on the Explorer Riverboat

Brianna HoranNational Travel and Tourism Week

Let me be the first to wish you a Happy National Travel and Tourism Week! This annual celebration honors the lifechanging effects that tourism has on travelers, along with the livelihood the industry provides for employees and local economies. One of the many impacts of the COVID-19 pandemic has been the devastation of the travel industry. Trips have been cancelled on a massive scale. Restaurants, hotels, and attractions have been shuttered. At the moment, our focus needs to be on navigating the new normal rather than charting a new destination. As such, the theme of National Travel and Tourism Week this year is the Spirit of Travel—and that it cannot be broken.

While I love a grand getaway, in many ways it’s the quick escapes close to home that have had the biggest impact on my life. A night out for dinner and a show at a local community theater packs just as much culture and culinary delight as Broadway, with the added bonus of being awed by the level of talent and passion that my own neighbors bring to the stage. The tapestry of global markets, shops, and festivals in the region reveal new cultures and ways of life—taking me from Mexico to the Middle East in an afternoon, while also reminding me of the strength and sacrifice of the immigrant communities that have given our region a strong sense of place. It’s hard to go more than a few hundred feet around here without coming across a historic marker to stop and ponder. A lunchbreak walk around Homestead takes me past too many to count! And disappearing into one of the State Parks or trails for a walk in nature is the quickest and most effective way I know to reset my outlook. Entertainment, education, cultural appreciation, eye-opening experiences, rejuvenation—that’s the Spirit of Travel to me, and it’s alive and well right here in the Rivers of Steel National Heritage Area.

Country Roads in Greene County, PA.As a lifelong resident, I often marvel at how lucky I am to live in southwestern Pennsylvania. And as Rivers of Steel’s manager of tourism and visitor experience, I often tell tour operators how lucky their travelers would be to visit southwestern Pennsylvania! I work with them to design itineraries and orchestrate trips for groups traveling throughout the region. These experiences are shaped around a wide array of group interests: art, architecture, history, ethnic groups and ancestry, food and spirits, outdoor adventure, literature, seasonal sightseeing, and many more affinities. Rivers of Steel’s most popular tour, Babushkas and Hard Hats, gets to the heart of the Steel Town story by visiting sites that illuminate the ways industry and immigration have shaped our region. A highlight of the tour is a from-scratch meal served with love by Iron Oven. On the menu are stuffed cabbage, halušky, pierogis, and a Pittsburgh cookie table sampler. The smells and flavors never fail to evoke reminiscences of Grandma’s cooking. Keeping the past alive and creating new memories—that’s another part of the Spirit of Travel.

Cookie Table DisplayThe elements of an itinerary would be meaningless without the ambassadors who bring their stories to life. In every corner of the Rivers of Steel National Heritage Area, there are history buffs, artists, performers, cooks, art lovers, outdoor enthusiasts, sports fans and locals whose passion and hospitality are a tangible part of the Spirit of Travel. Their authenticity and hard work are also an integral aspect of the local economy. Across the commonwealth, travel and tourism supported one out of every fifteen workers in 2017. That same year, travelers spent nearly $8.2 billion in Pittsburgh and its Countryside, and the travel industry employed 8.8% of the region’s workers. And in our own Rivers of Steel National Heritage Area, a 2013 economic impact study found that tourism and visitation related to our organization’s efforts had an annual economic impact of nearly $67 million and an annual employment impact of about 875 jobs. These spirited workers and small businesses need support right now.

Tour group view sacred Torah at Rodef Shalom's synagogue in Oakland.Many have imagined the various ways that travel—and everything—will be different in the post-COVID-19 world. Travelers will be more tentative at first. The health and safety measures will be more visible. The smiles on our faces may be covered by facemasks. What it will look like is yet to be determined, but I’m certain that at its core the Spirit of Travel will remain the same. In the coming week, we invite you to check out our social media pages daily to see how Rivers of Steel keeps that spirit alive throughout the Heritage Area.

And if you would like support Rivers of Steel’s work in the region, we invite you to participate in Giving Tuesday Now, this week on May 5, 2020. Click here to learn more about donating to Rivers of Steel on that day and how your gift will go further.

 

Guide to Images

All images by Brianna Horan

Feature image: Tour Group on the Explorer Riverboat

Image 1: Country roads in Greene County, Pa.

Image 2: Cookie table for a Babushkas & Hard Hats lunch by Iron Oven

Image 3: A tour guide at Rodef Shalom Congregation shares the story of a sacred Torah with a group of visitors.

Tribe by Curtis Reaves

Artist Profile: Curtis Reaves

By Blog

Rivers of Steel Arts is excited to launch the 2020 Mon Valley Featured Artist Series. Showcasing some of the exciting creative professionals working across the Mon Valley Creative Corridor, this weekly blog highlights multiple artists each month—from a variety of boroughs—to provide a snapshot of the region’s growing cultural vitality.

About Curtis Reaves

It is with great excitement that we close our April 2020 Mon Valley artist features with the passionate work of Curtis Reaves. Few creative professionals have invested more in the Mon Valley than Curtis.  Through his work as a documentary filmmaker and fine art photographer, to his dedication to the community of McKeesport, Pennsylvania via C-Clear Empowerment, Curtis exemplifies a brand of true grit and perseverance so often found in artists from the Mon Valley Creative Corridor.

A Message from Curtis

About My Work

My work embodies video documentaries, installations, and fine art photography. My fine art photography and installations have been exhibited at museums and galleries across the United States. My contemporary work concentrates on still life photography, where I utilize organic and repurposed materials and translate pieces for diverse environments and public art. I’m also an arts educator in schools with at-risk youth. In 2009, I co-founded my passion project, C-clear Empowerment, a nonprofit 501(c)3 community and economic corporation, located in the City of McKeesport. C-clear provides youth and adult employment and training programs centered around the arts, technology, and entrepreneurial initiatives.

My Home in the Mon Valley

I was born and raised in the Mon Valley, and I still live and work here. My entire family is from Braddock, and I now reside in the City of Duquesne with my wife and children. Professionally, I work with at-risk youth in schools throughout the Mon Valley, and my non-profit organization is located in the City of McKeesport. The Mon Valley has always been a family oriented and working-class environment, and I valued that as a child while growing up here. The community was tight knit, everyone knew their neighbors, and my parents were entrepreneurs in Braddock.

When the steel mills closed, the community folded and suffered in numerous ways. Families left, jobs were lost, the neighborhoods were no longer vibrant walkable communities, but rather places of blight and decline. As an adult, who lives and works here, my desire it to build upon the legacy that I remembered growing up. When my wife and I co-founded C-clear, we did it with a mission “To empower economically disadvantaged youth and adults by helping them to reach their true potential while serving as a catalyst for economic growth and change in the community.”

Our 6,000 sq. ft building located in the City of McKeesport, is currently under active construction. The space boasts three floors, two storefronts, and an enclosed outdoor rear green space. Upon completion, C-clear will offer community programming in the arts, technology, and entrepreneurship. We will provide co-working space available for lease, and a community gathering space for shows and events. We plan to open a coffee house, named Urban Java that will double as a youth employment and training program. It is our vision to bring back neighborhood vitality and connectivity through arts, culture, and economic opportunities for youth, families, artists, and entrepreneurs within the Mon Valley.

Find Me Online

Website: www.curtisreaves.com

Artist Profile: Katy DeMent

By Blog

Rivers of Steel Arts is excited to launch the 2020 Mon Valley Featured Artist Series. Showcasing some of the exciting creative professionals working across the Mon Valley Creative Corridor, this weekly blog highlights multiple artists each month—from a variety of boroughs—to provide a snapshot of the region’s growing cultural vitality.

About Katy DeMent, “The Paper Lady”

This is the second piece in a two-part profile highlighting Mon Valley artists Katy DeMent and Lindsey Scherloum, who often work closely with one another on community and educational projects.  Their individual practices share common threads of inquiry that include concerns over local environmental health and sustainability, social justice, and a creative philosophy that governs both their professional and personal lives.  In week two of this double feature, we turn our eye to Swissvale, Pennsylvania for a look at “The Paper Lady,” Katy DeMent.

Katy DeMentA Message from Katy

About My Work

As a lifelong gardener and artist, bee follower, nontraditional educator & PA Certified Teaching Artist,  I draw from my experiences to create educational workshops that are STEAM-centered, sustainability-focused, and hands-on.

My work harvests materials from the waste stream to demonstrate water systems and creatively illustrate environmental situations.  Through well-crafted visual narratives my tactile process utilizes natural materials and recycled papers.

Recently my work took a slight detour after I discovered “Crankies” a manual, panoramic, scrolling story-telling device that also happens to be a convenient allegory for rivers.  My project Climate Change Crankie, is a bridge to conversations about Pittsburgh’s Industrial history, its environmental legacy, and man’s role in its brighter future. Highlighting how individuals, through innovation, grass roots initiatives and community can create solutions that lead to actions revitalizing our neighborhoods, Climate Change Crankie illustrates Pittsburgh’s industrial history, environmental legacy, and a more mindful future—all taking place on one typical Pittsburgh lot.

My Home in the Mon Valley

Our home and my studio is located in Swissvale PA. We = my fella’—an engineering  hydrologist—two cats and just recently my 87 year old mother too, all live in a 100+ year old former, grocery store, barbershop, print shop, dance studio, Underground night Club, ”the Abandon Store,” and pirate radio station!

We have a large organic garden and a few fruit trees in the back too.

I have been impressed with my own resilience during the pandemic. We have been quite comfortable here with a freezer full of food from last summer, plenty of room for everyone to quarantine, the always-interesting panoramic view “from Kennywood to Homestead Grays Bridge”, and a big yard ready for an early start on the garden with time to pull weeds!

I moved from Atlanta GA to Pittsburgh, a relatively new place, that has many stories to tell. The people here have a casual DYI spirit that I as a self-taught artist, can appreciate.
The creative, scientific and environmental communities all interact to bring about awareness of these regions environmental scars, then work together to make improvement.

I have found my “peeps’ in the Swissvale Edible Gardner Community; a small enthusiastic group with a keen interest in producing healthy foods in our backyards, front porches and empty lots, and who also care about soil health and education as related to growing foods and growing community. YES!

Find Me Online

IG: katydementforreal@instagram

Facebook: ClimateChangeCrankie

Website: thepaperlady.com

Images

Growing the Iron Garden

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By Ron Baraff, Director of Historic Resources and Facilities   |   Image of the Iron Garden at the Carrie Blast Furnaces

Ronald BaraffNature’s Way of Reclaiming a Built Environment

When we first began to do work at the Carrie Furnaces site in 2010 we were faced with a landscape that had changed dramatically over the years. What was once barren and devoid of vegetation had become an overgrown oasis. The site was a mass of thickets—tree stands, honeysuckle, bittersweet, knotweed, and poison ivy. We made a decision that the goal was to not denude the site but to allow nature to reclaim portions of the site—to green it up, but not interfere with the site. How should we tame and manage the landscape without damaging nature’s remarkable work?

The goal was, and still remains, to create a park space within an industrial setting—highlighting the juxtaposition and reclamation without having nature interfere with the historic structures. To this end, our challenge was how to proceed with the work. What should we keep, what should go. The easy decisions were related to the plants growing on the structures, which are still a challenge to this day, and those that made it difficult to access historic / tour areas around the site. The more difficult decisions were what do we do the areas that were more densely grown, unstable, or hard to access.

The first and most obvious step was to save some trees to use them for shade along the tour route. But there were even bigger challenges; we had areas on the site that we could not mow or easily access due to concrete, rebar, twisted pieces of metal etc. What is now known as the “Iron Garden” was one of those areas. It was during this time, as we were debating the merits of the use of the eastern portion of the site, that we realized how beautiful the fields were and how they created an interesting contrast to the industrial site.

Wildflowers in front of a rusty machineWe originally looked at ways to make the northern end the eastern portion a parking lot and create a trail through the treed meadow to the ore yard. In July of 2010, Rick Darke found us.  Rick Darke is a renowned landscape design consultant, author, lecturer, and photographer who specializes in urban parks and community places that celebrate the resiliency of the landscape. He had seen the site while he was taking a helicopter survey ride with people from the Pittsburgh Botanic Garden and Fallingwater. He asked his one of companions on the trip, Ann Talarek, if she could arrange a visit. He contacted us and I brought them into the site for a tour. We spent time walking around discussing the future of the site, how do want to use now? How to use it in the future?

On this and subsequent visits, we formed a great working friendship as he helped us to provide context and meaning for the “project” and create a more formalized approach to what we had already been doing intuitively. We lead our first public, environmental / wild garden tours shortly thereafter. It was a collaborative effort between Rick and myself to look at what has happened over time as nature and industrial / postindustrial landscapes converge.

The goal was to introduce people to this idea of succession and how to manage the landscape while creatively editing it. It was during this time that Rick Darke, Dave Couch, Rick Rowlands, and I laid out the pathway and the garden room within the garden area. Our goal was to create a visually stunning reveal of the industrial site within a green space where people could slow down and enjoy the sites natural landscape and garden.

Iron Garden Path Creation

During one of the Rick Darke tours in October of 2013,  Joanne van Linden, a visitor who happened to be a local master gardener, talked with us about her interest in the project. I invited her and her master gardener class to come assist us with plant identification so that we could create a database and a finding aide for assisting educational tours and our tour guides. I wanted people to understand what they were seeing and experiencing within the landscape, these plants were not just weeds, they were not “invasive” but were natures way of reclaiming man’s built environment.

The following spring (2014) the Master Gardener class came in as a group and we started working together to do plant identification in some test fields throughout the site. Over the course of the season the idea for what became “the Iron Garden” evolved. With the assistance of the gardeners and Addy Smith-Reiman, Josh Reiman (sculptor on staff at CMU) was brought into the discussion. From there we set about creating a project to create cast iron plaques interpreting the flora and fauna of the site—creating a physical interpretative walking trail through the garden area. The gardeners and a number of regional artists did an amazing job of researching, creating, and casting the iron plaques which culminated in the Casting the Iron Garden event in October of 2014.

With the plaques in place and with further assistance from Rick Darke, Rivers of Steel formalized the project under two banners—the Iron Garden and Addition by Reduction. The latter project’s goal was an still is to create a template not just for our site, but for other public spaces throughout the country and beyond. The lessons of Carrie and the project could be used to show that by creative management and editing of a wild space, that nature can preserved and stewarded in a harmonious, economical, and responsible manner.

In 2017, Rivers of Steel partnered with six other regional gardens to create the Pittsburgh Garden Trail. Offering different landscapes, uses, settings, and species throughout the Trail’s unique destinations, the Garden Trail aims to inspire by highlighting the beauty and ecological diversity of western Pennsylvania. From cultural institutions like Phipps Conservatory and Botanical Gardens and The Frick Pittsburgh to the lesser-known gardens including the Rodef Shalom Biblical Garden and the Chatham University Arboretum, the collection of garden locations on the Pittsburgh Garden Trail gives visitors a chance to see the city in new and unexpected ways. Rivers of Steel is proud that our unique, postindustrial, wild garden has become recognized as one of the region’s botanical assets.

Tours of the Iron Garden are a popular option for groups, but are also a great resources for students and classrooms. Public tours are generally offered on the second Sunday of each month during the summer tour season. Right now, of course, the garden is closed—as is the entire Carrie Blast Furnaces site—but we welcome you to join once the pandemic restrictions open up.  In the meantime, enjoy some additional images of the site from throughout the years.

Guide to Images

Featured Image: Wildflowers and Bottle Car / Rick Darke

Image 1: Ron Baraff / Richard Kelly

Image 2: Wildflowers and Detail of Bottle Car / Rick Darke

Image 3: Cutting a Path Through the Iron Garden / Rick Darke

Image 4: Visitors Examine an Iron Plaque / Rivers of Steel

Images in Gallery

(Left to Right)

Image 1: The Iron Garden Path / Rick Darke

Image 2: Yellow and Purple Wildflowers / Rick Darke

Image 3: Orange Wildflowers / Rick Darke

Image 4: Ornamental Grasses / Rivers of Steel

Images 5 & 6: Rick Darke Leading a Tour, 2019 / Rivers of Steel

Image 7: The Green Room of the Iron Garden / Richard Kelly

Image 8: Carrie Furnace #6 from the Green Room / Richard Kelly

Images 9 & 10: Eric Horgos Tour of the Iron Garden, 2018 / Rivers of Steel

The Healing Power of Nature

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By Suzi Bloom, Director of Education   |   Image of the Point from the Explorer riverboat

Suzi BloomAn Opportunity to Explore: City Nature Challenge

As we prepare to mark the 50th Earth Day on April 22, 2020, we invite you to embrace the healing power of nature.  Once dubbed “The Smoky City,” Pittsburgh now has a thriving urban ecosystem. After decades of historical pollution during periods of industrialization, Pittsburgh’s three rivers now have a lot to offer in the way of aquatic species diversity. Additionally our backyards and urban parks are filled with the sights, sounds, and smells of nature exploding into spring.

The spring weather also has me missing our students on the Explorer riverboat, who under normal circumstances would currently be hard at work as citizen scientists studying the aquatic ecosystems of Pittsburgh’s three rivers, affectionately known as the Mon, the Al, and the O.

Through Rivers of Steel’s commitment to programming that supports the region’s natural and shared resources, approximately 3,000 students in grades 4-12 participate annually in the Environmental Science on the Three Rivers field trip aboard the Explorer.

During the Environmental Science on the Three Rivers field trip, students learn that the plants, animals, insects, microbes, rocks, soil, sunlight, and water found in and around Pittsburgh’s rivers all come together to form a valuable aquatic ecosystem.

My personal favorite activity during the field trip is the macroinvertebrates lab. Students collect and identify benthic macroinvertebrates, which are considered an indicator species to determining river health. Benthic macroinvertebrates live among stones, logs, sediments and aquatic plants on the bottom of streams, rivers and lakes. They are large enough to see with the naked eye (macro) and have no backbone (invertebrate).  Some examples of past student findings include mayfly and dragonfly nymphs, both of which are useful indicators of improving river health.

While we are all adjusting to learning and engaging in experiences from home, there is still an opportunity to explore and share the diversity of Pittsburgh and Southwestern PA’s natural resources that includes the watery world of macroinvertebrates. The City Nature Challenge is back in Pittsburgh for Earth month 2020 and is facilitated locally by the Carnegie Museum of Natural History. Kicking off April 24, the challenge runs to the end of the day April 27. Participation is easy! All you need is a camera and the free iNaturalist app (a camera phone or tablet if you have one).

iNaturalist is an online database that collects your photographic observations of nature. Those observations are then used by scientists and resource managers to understand when and where organisms occur.  Every observation can help contribute to biodiversity science via scientific data repositories like the Global Biodiversity Information Facility.

This year, in light of the COVID-19 pandemic, the challenge is modified to help keep organizers and participants safe. Using the free iNaturalist app, let’s work together virtually with cities around the world to safely document biodiversity in whatever way we can, even at home or in our neighborhoods.

Everything you need to get started is found here.

Guide to Images

All photographs by Suzi Bloom

Image 1: View of the Point from Explorer

Image 2: Dragonfly nymph

Image 3: Adult dragonfly emerging from nymph exoskeleton

Image 4: Canada geese as seen from the stern of Explorer

Artist Profile: Lindsey Scherloum

By Blog

Rivers of Steel Arts is excited to launch the 2020 Mon Valley Featured Artist Series. Showcasing some of the exciting creative professionals working across the Mon Valley Creative Corridor, this weekly blog highlights multiple artists each month—from a variety of boroughs—to provide a snapshot of the region’s growing cultural vitality.

About Lindsey Peck Scherloum

For the next couple artist profiles, we chose to highlight two Mon Valley artists working very closely with one another, from the neighboring boroughs of North Braddock and Swissvale, Pennsylvania.  Artists Katy Dement and Lindsey Scherloum maintain individual practices, but often work collaboratively on projects throughout the Mon Valley Creative Corridor. Their artworks share common threads of inquiry that include concerns over local environmental health and sustainability, social justice, and a creative philosophy that governs both their professional and personal lives.  This week we take a look at the quiet and contemplative work of North Braddock artist Lindsey Scherloum.

Artist Lindsey Peck ScherloumA Message from Lindsey

I’m based in 2nd ward of North Braddock. I moved to the area because I wanted to live in the relative isolation and abandoned nature of my neighborhood, and within a year the cost of my house was less than I would have paid renting in Pittsburgh. I love that the money to time ratio is slow here, that relationships are the most important part of life (as I think they become in a lot of small and poor communities). My overhead is low and it allows me the time to be responsive to my environment—gardening, painting the abandoned house across from mine…  I have time to know my neighbors, seek out the stories behind the abandoned houses, the mysteries of the grouch on the block, and ultimately feel part of a supportive family. I like having relationships with the kids in my neighborhood and demonstrating ways we can reimagine objects and spaces, being one more, maybe radically different, example of a grown up. 

I love the view from my porch—the Edgar Thompson Mill pumping clouds out of its stacks, the green Monongahela, the long strings of roads and train tracks. It makes me feel connected to history and unable to ignore that our consumer culture demands people live without the right to clean air.

So I value the challenges this place presents by exposing me to a lot of different life experiences, showing me my bubble and asking me how my privileges can be of real service to others—people renting from slumlords, people deeply attached to the traumatic past of a place that is easy for someone like me to see only for its current material value.  My practice has come to be rooted in the belief that there are ghosts in everything we look at and it takes time and patience and care to understand how to interact with them and one another respectfully.

IG: @scherlouml

Website: AMapofUs.com

Images